Tom Describes his Art
Tom Hilborn
Among the major influences on the art of Tom Hilborn (Aug 13, 1956 – ) is a concept put forth by Herb Ariss and Bert Kloezman who taught Tom at Beal Art in London, Ontario in the mid 70s. The idea is that by engaging in extended sessions of drawing exercise, one’s “battery” is thereby charged up. In other words: a motivational potential is generated by the amount of drawing done. Also benefiting from a good workout on the drawing board is that part of us that learns to bring more and more factors into a single focus – when drawing one part of say, a human figure, you want to learn to think of the other related parts and the background shapes at the same time. A polarity existing between the Italian High Renaissance and the American Rock ‘n Roll era is the main source of themes in Tom’s art. This and any related ideas are set down and in various ways abandoned in favor of the feel that emerges. Sam Phillips is a man famous for wearing out that word “feel.” “It’s the feel!” he repeated over and over to describe what he wanted to capture on recording tape. This led to a major focus on his record company, Sun Records in Memphis , Tennessee , as a point from where the global escalation of Rock ‘n Roll emerged. About 450 years earlier in Florence, Italy (not to be confused with Florence, Alabama, where Sam is from), the Italian High Renaissance marked the infancy of the western world view, very different from the sense of American world domination that led to the Rock ‘n Roll era. This is what Tom has to say about his art.
Photo of Tom Hilborn by Janet Donnelly.






